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Manley Neo-Classic 300B RC Preamplifier with Remote Control The 300B Preamplifier is Manley's most obscure product. The Neo-Classic 300B Preamplifier RC was handcrafted in Chino, California, and has great-sounding components in a creative and clear signal routing. So it is the first and only time these vintage tubes have been used in a preamp. For many years, Manley has been using the 300B into modest power amplifiers, and the admirable thing about the 300B is the tube's smooth, natural tone. A single 300B, on the other hand, offers genuinely suitable power and voltage swing for headphones. It also serves as a fantastic line driver. This is where the impedances aren't too low, and the power needs aren't too high, which is excellent for a single-ended tube of this type. For the input stage, Manley blends the vintage 300B with another classic, the massive octal-based 6SL7GT-all triodes operating in true Class A mode. Manley has used vacuum tube rectification and control in the power supply. They have added much capacity in order to supplement the vintage vibe. Manley also added an extra and unique ripple rejection circuit to remove the noise in the power supply, resulting in a very low-noise preamplifier, which is very important for people using headphones.

An introduction to the Manley SNAPPER Power Amplifier The Snapper got introduced in 2002, a very delectable all-tube 100-watt monoblock. Mitch Margolis' Snapper utilizes a quartet of EL34 or 6CA7 transistors in a completely differential circuit layout, including the input and driving stages. The XLR input on Manley Snapper is driven fully balanced. If the preamplifier has balanced outputs, this amplifier is the first Manley design to utilize your XLRs without the use of extra balancing input circuitry or input transformers. The unbalanced RCA's can be used instead of balanced RCA's in this particular topology with similarly excellent results. Manley Labs' monoblock amplifier is as unique as the company itself. This company, which is owned and run by a woman, is an outlier in an industry. The company workers are mostly men whose hardworking reap a great production and success in the majority. Manley Labs is owned by EveAnna Manley. Like other designers and manufacturing engineers, she is also one among them. The main purpose of Manley is to make your recordings sound professional. Many A-list recording studios throughout the globe use their tube-based microphone preamps, limiters, equalizers, line preamps, D/A converters, and power amplifiers. For Manley, Home theatre is neither the first nor second interest, Manley, like Genelec, M&K, Bryston, and ATC- all of whom specialize in professional recording gear—does, however, provide specific components that can utilize in a high-end home cinema. This is the case with their new Snapper monoblock amplifier.

An introduction to the Manley Stereo Limiter Compressor The Manley Nu Mu Stereo Limiter Compressor combines the iconic Variable Nu Mu T-Bar mod tube front end with the same ultra-smooth side chain and timing characteristics for a faster and punchier audio path, accompanied by a high voltage discrete and FET solid-state amplification and output stage for a quicker and punchier audio path. It's essentially a "clean" version of the Variable Mu, made for modern digital and electronic music when color and masking aren't as necessary as they were in the early days of digital. The Manley Nu Mu, which includes Manley's new HIP function, fine-tunes dynamic control to bring lower-level details without suffocating thrilling transients. The Manley Nu Mu is smartly developed to build efficiently and aesthetically to evoke gorgeous compliments from your clients, both visually and ergonomically. It's all proudly hand-built in California.

An introduction to the Manley Stingray Stereo Integrated Amplifier The previous Manley 50 Watt Monoblocks were merged into a stereo chassis with a passive preamp, which resulted in the STINGRAY design. The final objective was to create a vacuum-tube integrated amplifier with absolute influence that upped the ante of high-end performance in a practical, accessible, bare-bones chassis with a dash of elegance. During a break for the cause at HI-FI '98 in Los Angeles, Eve Anna Manley had been sketching her hexagonal work-in-progress for former Stereophile Pooh-Bah J. Gordon Holt on a bar napkin, and that seemed to be a stingray. The history of making the Stingray emerged through this idea.

An introduction to the Manley VoxBox Vocal is usually the central element of a song. The human voice is foremost the natural musical instrument. Behind each note is a beautiful and complicated system. The lungs act as an air supply. A tone is produced when vocal cords vibrate. The chest and head cavities function as amplifiers. And the articulators shape the fine sound. When these work together, the result of a song is sublime. The better the vocal is recorded and mixed, the better chance for the recorded song to reach the people who hear it. The Manley Voxbox is specifically designed and optimized for the vocal recording, but its all-tube color and tone are equally based on Bass drums and other instruments used along with the vocal. Manley Laboratories is a newcomer to the audio hardware scene, having debuted in the 1990s in California. Voxbox is a channel strip. One can use the pre-built preamp, and it sounds perfect. The Voxbox plugin is a Unison enabler, and so when placed in Apollo Unison insert slot, it effectively turns the Apollo preamp into a Voxbox preamp complete with its unique gain staging tube color, custom transformer sound, and tonality of the original hardware. Voxbox has all the elements expected in a channel strip: Tube preamp, optical compressor, De-Esser Compressor, and passive EQ(Equalizer) built-in, which has a mid dip, a high peak, and low peak but it how these elements interact that makes the Voxbox so unique. The Gain control on the VoxBox injects negative feedback into the input circuits. So, it's much as tone control as gain control. Lower gain settings are neutral and transparent, whereas higher gain settings push the tone forward.

The Prism Audio MDIO Dante Module Prism Sound's MDIO Dante an expansion card that allows you to send and receive audio using Dante, gives your Atlas or Titan the option of routing every channel over one wire. The MDIO-Dante extension card is an industry standard in the studio and audio-visual arena. It allows to route of every clean and bright signal from Prism Sounds AD and DA converters via a CAT5e, CAT6, or fiber-optic connection. It not only aids in the routing of Atlas or Titan signals but helps to work with the Dante workflow, giving you access to hundreds and hundreds of audio streams that are connected through logical routes. You can expand the routing possibilities by adding the Prism Sound MDIO-Dante card to Titan or Atlas

Native Instruments celebrates 25 years in the industry by unveiling a KONTAKT instrument that encapsulates an array of timeless, iconic sounds from the quarter-century rich Native Instruments treasury. The library promises the addition of some exciting and innovative functionalities that are futuristic and intuitive. The plugin, part of the KONTAKT PLAY SERIES, integrates well within the KONTAKT PLAYER (6.6.1 and higher).

An introduction to the iconic OTT plugin Music producers all around the world, especially in the world of electronic music, swear by a certain free plug-in created by Xfer Records – the OTT multiband dynamics processor. It is so popular, in fact, that one might safely presume that every electronic music producer in the world uses the OTT, or some version of it, in their day-to-day workflow.

M1 Audio Analyzer Free Plugin Download The Prism Sound/Spectral Measurement dScope Series III software platform is consistent with the dScope M1 interface family. The M1 hardware is supplemented with a variety of software versions that can be bought to permit feature choices and various hardware variants. Analog Generator output values up to +26dBu are supported. The Analog inputs with a sampling rate of up to 768kHz and a bandwidth of more than 300kHz are supported. There are two-channel digital Input and output(AES3 and S/PDIf modes).The streaming design offers for more flexibility in creation and analysis, as well as faster processing. The most basic electro mechanical components are used for lengthy service life. 12V AC-DC power converter Small size: 36x230x180mm, rack-mount ears available.

Reverb Tutorial for Loops and Sample | Music Tutorial Reverb is the apparent persistence of sound, heard when a sound reflects back from solid surfaces to the listener’s ears. We are constantly surrounded by reverb or echo, and our ears are highly sensitive to it. Though we seldom notice room reverberations in our day-to-day lives, the lack of it can be startling, and even jarring, sometimes. Over the years, reverb has become a stable in music production, and is used in a variety of ways, from giving a sound source a sense of space to unique, creative effects and surreal ambience. This article will take a look at a few plug-ins that emulate the various reverb units, reverberant spaces, and creative reverb effects that have found firm footing in the world of music production today.