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An introduction to the RME MADIface XT RME MADIface XT is a unique audio system that can send digital audio data from any device having a MADI interface right into a computer. A stereo analog input may be used to link analog sources, and two stereo analog outputs provide full monitoring capability. Installation is straightforward even unskilled users can use the newest Plug & Play technology. The MADIface XT is at the pinnacle of digital audio interfaces. It has various unique features and outstanding settings dialogues.

The MANLEY Absolute Headphone Amplifier MANLEY started as the Lexus to Toyota's VTL (Vacuum Tube Logic) Toyota in the late 1980s. At first, MANLEY began along with David Manley's extraordinary air signature line of VTL devices, which generated ever invented tube preamps. A few years later, David and EveAnna Manley started the MANLEY brand as an independent company, and sooner, the Manley brand products shooted up and started to generate a lot of income. Manley Labs had always produced true audiophile roots and delivered their best in all its tube preamps productions.

Prism Audio MDIO PRO Tools HDX The MDIO-PTHDX module from Prism Sound is an add-on for Prism Sound interfaces that has an MDIO slot. Using a Pro Tools /HDX PCIe card, a Pro Tools/HD Native PCIe card, or a Pro Tools /HD Native Thunderbolt interface with a DigiLink connection, several devices can be linked directly to an Avid / Pro Tools system. Pro Tools users may take advantage of the superb sound quality of the Prism Sound Atlas and Titan A/D and D/A converters, as well as the equally well-regarded on-board microphone preamplifiers, using this combination.

The World of Mastering Compressors Mastering compressors are built specifically to control the dynamic range of full mixes and complex musical material. They are often program dependent (they react differently to different frequency content and variations in dynamics, depending on the kind of audio being run through it), and they typically have a lot of headroom, to provide dynamic control and ‘glue’ in the most transparent way possible.

Introduction to FocusriteRedNet R1 The FocusriteRedNet R1 gives consumers unprecedented control over their audio system. It gives you the freedom to operate a variety of monitor output arrangements, from mono to 7.1.4 surround, as well as Dolby Atmos and other immersive audio processes. And, for unique speaker combinations, totally custom setups of up to 12 outputs can be established. RedNet R1 can concurrently and interchangeably control groups of outputs from a Red interface's myriad of sources and destinations, including Pro Tools | HD and other DAWs, analog inputs and outputs, ADAT and S/PDIF connections, and complete Dante audio ecosystems. RedNet R1 will allow you to control the Focusrite Red interfaces' remote-controllable mic preamps in a recording studio, allowing you to retain the interface in the rack and clear the desktop. You can communicate with talent in other rooms using the built-in talkback microphone, and you may examine mixes on different monitors in surround, stereo, or mono. You may listen to the solo vocals by selecting that source on the headphones.

Introduction to IZOTOPE RX9 The award-winning iZotope RX audio repair post-production toolkit is back with a bang The latest entry to the iZotope audio repair and edit software family of RX, is version 9 with some major new enhancements. The powerful toolkit that is a favourite among industry experts and post-production professionals for movies, TV shows, and more, is consistently showing up with upgrades that are substantial and attractive. Both standard and advanced versions are available as usual. For the last fifteen years, iZotope has defined the technology for audio post-production and its advancements. The company has become the most trusted, reliable, and super prompt in addressing issues and even aspiring to meet futuristic and far-fetching production goals of industry professionals. So yes! Good riddance to annoying noises; a fulfilling journey from crud to pristine audio glory awaits you.

An introduction to Lyra 1 The Prism Sound Lyra 1 is a USB audio interface that provides musicians, vocalists, songwriters, and audio engineers with reliable precision and high-resolution audio I/O in home, project, and mobile studios. Its reliable clock allows it to operate at resolutions of up to 24-bit / 192 kHz with minimum jitter. It's ideal for recording, overdubbing, and even send-and-return routing, with latency as low as 0.08 Ms.

The Universal Audio 1176 – A Timeless Compressor 1966 was a significant year in the pro audio world, as it saw significant shifts in recording and processing technology. Tubes sounded great, but were difficult to maintain, and wore out, or melted, and had to be replaced fairly often. Bill Putnam, through his experiments with solid state technology, developed preamps and compressors that relied on transistors, rather than vacuum tubes. As a result of this, his 175 and 176 tube compressors were redesigned and rebranded as the Urei 1176 FET (Field-Effect Transistor) based compressor, which was released in 1968, as a peak limiter and leveling amplifier.

Prism Audio Ada-128 AD/DA Conversion System Prism Sound has a long, rich heritage in the manufacture and design of the digital audio interface and digital audio technology. Using Prism audio Ada-128, one can use multi-rooms. If those rooms have different requirements and sessions, you can change those requirements. For example, you can have 16 channels on one day, and the next day if you need 24 in and 24 out, you can likewise change the flexibility, sample rate, and bit rate. The routing can be done internally in the box rather than externally doing it. This unit is perfectly suitable for Dolby atmos workflow application. It is perfectly suited for broadcast and live sound location recording because there is not only in/out analog but also mic-line cards that are fully remote controllable. So, this can be used as similar to a stage box.

Prism Audio ADA-8XR LEGENDARY MODULAR AD/DA CONVERTER The Prism Sound ADA-8XR is a top-notch, secluded multi-channel AD/DA converter that can be designed as 8x8 ADA, 16-channel AD, 16-channel DA, or as a high-goal Pro Tools interface. Observed for the most part in elite studios, film post offices, and the individual studios of illuminator makers and Grammy-winning specialists, the Prism Sound ADA-8XR is a measured multi-channel AD/DA converter that can be arranged in various ways by temperance of module modules intended to suit a vast assortment of uses. The ADA-8XR centralized server can expect numerous personalities, like a 16-channel AD converter, 16-channel DA converter, or an 8-channel AD/DA converter-and that is simply in the simple domain. It very well may be a multi-channel FireWire interface, AES/EBU/AES3/SPDIF computerized to a simple converter, or simply to the advanced converter.