Are you ready to get the word out about your music?
If you want to take your music career to the next level, you need an EPK. An EPK is a tool for booking gigs, getting featured in the media, getting sync deals, and finding advocates who'll help spread the word about your music.
The EPK is a brand-new approach to market your music. What exactly does it have to contain? What's the point of having one? And how does it appear? Continue reading to learn the answers to these and other questions, and get ready to construct your own EPK.
The term "EPK" stands for "electronic press kit," and it's essentially a CV for artists.
A press kit hosted on a dedicated website is the ideal method to showcase oneself as an artist. The EPK can be printed, mailed, or emailed to recipients. It's the only way you'll be able to inform the media about what you're up to.
An EPK will allow you to demonstrate decision-makers in the music business who you are, what you've done so far, and why they should collaborate with you.
An EPK is a tool that allows your media contacts to discover more about you quickly. You can bundle all they need to know about you in an EPK that is easy to understand, visually beautiful, and user-friendly. Making their task as simple as possible is the greatest approach to attract their attention.
How to create an EPK (and what to include)
You may make your own EPK by setting up a dedicated website or using a do-it-yourself method. You can engage a professional web developer to construct the site for you if it isn't in your budget. Do you have an EPK that you'd want to share with the rest of the world?
There are numerous services that provide ready-to-use templates if you wish to build an EPK from scratch. You may use Sonicbids, ReverbNation, or Bandzoogle to build your own EPK. Most industry experts seek for the following features in an EPK.
Make a playlist with 2 – 3 of your most popular songs and embed it directly into the webpage. If you have any music videos, embed one or two of your best ones into your EPK as well. They'll give the visitor a visual representation of your music and a better sense of who you are.
Your EPK should be quick-to-read and visually appealing, so don't clutter it with the full version of your musician bio. Include a link to another webpage where someone can find the full bio if they need more information about you. Your bio is also what they'll use if they decide to write about you in the media.
These are the materials that will be used if someone decides to write about you in the media. People will be able to see who is behind the music thanks to your photographs and album cover, which will assist to enhance the atmosphere that your songs create. You may also download higher-resolution versions or link to a different page with more images.
Your EPK's overall appearance and feel should reflect who you are as an artist. Your website should be consistent with your brand and stay that way throughout. Make sure the tone and voice are consistent across your site text. Visually attractive EPKs with no irregularities will appear much more professional.
If you've been in the news, make sure to brag about it. It's still feasible to submit a few good testimonials if you haven't been featured yet. Any evidence that you have individuals on your side will go a long way toward persuading someone to collaborate with you.
Make a performance calendar or list of forthcoming shows, whether in person or online. This will allow venue and event management to see when you are available for new engagements. If you have an EPK, it will give the impression that you have a busy schedule and are in demand.
Your EPK should serve as a central point for all things music-related. Include URLs to your website, social media accounts, YouTube channel, and streaming platform profiles. If someone needs to contact you or your management, make it as simple as possible for them to do so by giving contact information.
You should be able to construct your own EPK if you follow these recommendations. Be sure to give it a lot of individuality, make it your own, and keep it up to date with new songs and accomplishments. Keep in mind that your EPK should reflect who you are and how you want to be seen.
How long has it been since you last listened to music?
When was the last moment you listened to music with intension? The fact is that the majority of us listen to music in a passive manner. We conceive of it as entertainment, a background music to our life while we concentrate on something. Listening to music, on the other hand, may be a fantastic source of information and inspiration for artists. All of this, though, is only possible if we practice active listening.
The definition of active listening is simple: it is what happens when you only listen. Consider it like going to a university class: you go at a specific time, take your laptop to write notes, and plan on spending the next hour or so learning. Music that is actively being listened to should be regarded in the same way.
Active listening recommendations everyone's style of learning and interests are different, the speaker recalls may be useful to remember when you try out active listening for the very first time.
The aim is to block out as much background noise as possible so that you can concentrate on the music. Give other people advance notice so they don't rush into your room in the middle of your listening session. Turn off your laptop, lower the brightness, and close your eyes if necessary.
Most streaming providers reduce audio, making it difficult to differentiate between separate parts.
Use a good set of sound headphones or microphones will allow you to focus entirely on the music.
Starting by replicating your favorites is the greatest approach to develop your own unique sound, so listen to the music you already know and love.
Fans of those styles will definitely take notice when you purposefully find aspects from multiple genres and blend them in creative ways.
Pick only one element or equipment to study and listen to the entire song with that aspect as your only focus.
The songs you chose for this exercise are likely to be some of your favorites, you must think like a critic in order to truly improve your active listening abilities.
Each song you actively listen to has a wealth of information, but if you don't write it down, you'll forget a lot of it. You can put down your analysis of each aspect, thoughts for what you'd like to add in your own music, or a combination of the two.
This is mostly decided by what you want to get out of your active listening session, what you think you're already excellent at, and what you want to improve. However, if you aren't as skilled at creating musical transitions, you might want to pay closer attention to the song's sounds to see what you can take. If you're unsure where to begin, take the following suggestions:
Consider whether a particular instrument, chord progression, or rhythm is responsible for the mood, and what you may do to generate a similar impact with your own song. Consider the tone or atmosphere of the music.
Consider where the rhythm switches during the song, how it is done, and what influence it has on the music. Determine which instruments contribute the most to the rhythm—are they common or unusual?
If you like, you may name the chords and the key. Listen to the chords in the song to see if there are any unusual or pinched chords. Take note of any changes in the chord sequence or the songs key.
Make an effort to recognize each instrument and listen to their unique lines. Are there any instruments that you think you might employ in your own production?
If you can't think of anything to compare it to, try listening to music for a few seconds. You'll probably notice how different they're blended. What role does the mix have in the song's mood and energy?
If the song's structure isn't very distinctive, consider what you could do to make it more fascinating. Consider the song's structure. What role does it play in the song's narrative?
Consider why the tune gets stuck in your mind in the first place—what makes it attractive or enjoyable? Pay attention to the melody sung by the singer if the song has one.
If the song includes live instruments, pay attention to how they're performed. Can you use this as motivation to practice your own instrument in the future?
Consider how the harmonies, whether instrumental or vocal, add to the song's attractiveness.
What narrative are the lyrics telling if the music has lyrics? If you can't think of anything exceptional in the lyrics, choose a line and consider how you may improve it.
Active listening is only half of the fight when it comes to analyzing music. Put down the headphones and take up your instrument once you've listened to a song with a critical ear and taken notes.
In 1899, Ludwig Koch, then eight years old, recorded a popular shama on his father's wax cylinder recorder. Schaeffer invented the word "musique concrète" in the 1940s to describe the compositional process of looping, splicing, and reversing organic sounds. Together with John Cage, Brian Eno's ambient music was inspired by a spell in the hospital in the 1970s. He changed the way he listened, focusing on the beauty of soundscapes interacting as one. Artists using field recordings continues to rise as access and exposure to the activity grows. We've put up this guide with the help of musicians and intermedia artists to highlight field recording as a tool for sound and personal exploration and provide a general framework for how you might incorporate it into your own creative process.
In 2021, finding someone who can recognize the sound of an electric or acoustic guitar will be difficult. Sites like Equip board can rapidly pin down the specific make and model of guitars, amps, and effects used by your favorite musicians, in addition to a vast library of YouTube tutorials and videos.
Field recordings, on the other hand, add an element of surprise right away, allowing an artist to create a fingerprint—a distinct audio aspect that isn't bound by standard instrumentation. “In the universe, there are literally an unlimited number of sounds. I like the concept that people who listen to my music won't be able to figure out what I'm doing or how I'm doing it,” Leah Toth says. She heavily treats (edits or manipulates) her field recordings under the Amelia Courthouse name to further generate a sense of agency and, with regards to the original source, claim ownership over the music she's creating.
Field recordings, whether altered or unaltered, frequently evoke a sense of place, time, or recollection. While a song or a guitar riff can hint to a concept, field recordings provide a direct link to the source. Field recordings, according to Matthew Sage (M. Sage), serve a dual purpose: they provide space and color to tracks while also infusing emotional value. All of the outdoor recordings on The Wind of Things (2021) were made in places where Sage had sailed or walked as a child. “There's an emotional tenderness to it that the audience isn't responsible for understanding, but I believe they can sense it. That's what's important to me,” he continued.
Field recording is a highly accessible songwriting tool. It carries a punk ethos. There is no degree required or predetermined notions of success. The art of field recording shifts the mindset of scarcity to abundance.
Karima Walker and Danny Greenwald are a duo from New York City-based band Glassine. Walker and Greenwald have been playing together since high school. Greenwald says he's not skilled enough to play a full-blown trumpet. The duo plays keyboards, tape recorders, guitar pedals and other non-expensive instruments.
Walker agrees, saying that while never feeling great at a single instrument, she's come to appreciate the potential of using her ear as a compositional tool.
Greenwald advises newcomers to "not feel awkward" about using their iPhone in the outdoors. Toth and her husband have amassed a lot of cheap gadgets over the years, but she still uses her phone a lot.
I feel like I'm taking little parts of music from anyplace I go when a piano is present since that I don't have a true piano in my home. This also keeps me from overthinking portions or arrangements; I just do what comes naturally to me.”
The inability to get out of one's own way is a common stumbling block for songwriters. Staring at a DAW, a blank workstation waiting for you to push record and strike gold, might make you feel anxious. We have a tendency to think of songwriting as a sedentary activity. Field recording is a significantly more active endeavor, infused with a feeling of enchantment and adventure. “You're not watching the recording; you're watching the world. “You're putting more pressure on your ears than on your eyes,” Sage explained. It's an opportunity to cultivate shoshin, or 'beginners' mind,' which involves listening with an open mind and a sense of wonder.
If you've exhausted all of your other options, incorporating field recordings into your work might push you to try something new. To add colour and space to a track, consider placing all of your files in stereo, or treating a sound to simulate a genuine instrument or rhythm.
Having a backlog of field recordings to listen to might also assist you answer two of the most difficult questions: “How should I get started?” and “How should I finish?” and “Is there anything else missing?”
If working within constraints is helpful, you might leave all of your found sounds in their raw form or manipulate them to where they are no longer recognizable. The original sounds can remain just as sacred—no one is going to patent or trademark a bird's song.
You must pay carefully if you want to make music from field recordings. Allowing oneself to halt and listen to the noises around you is also a form of mindfulness practice. Pauline Oliveros was a composer who championed deep listening. She argued that compassion and understanding come from listening impartially to the whole space / time continuum. "My approach is rooted in Oliveros' work, where we are the listening bodies," Sage says. "Everyone has the potential to be a listening body. It's a choice you have to make," he says.
Give a great producer even just decent gear and he'll still manage to produce quality results. Learn to use the equipment you have, as well as other mic approaches.
Tip: Learn the fundamentals of acoustics, recording, and mixing on a computer.
Using a lot of effects or compressing a track to death at the mixing stage won't give you the thick sound you want. When you're tracking, keep in mind to always write down what you'll need. Yes, add some compression, but leave room in the mix for more afterwards.
Tip: When recording, always try to acquire the best signal possible. Don't settle for mediocre results.
The most important things you can learn are by observing and talking to other producers. On YouTube, you may watch other producers, including some professionals, give music production advice. Observing producers at work may be quite beneficial to your own music production advancement.
Tip: Make connections with other producers and speak commerce when you get the opportunity. This is where you'll always find the greatest music producing advice.
Without a doubt, computer music creation is fantastic. Computers and software, on the other hand, have a tendency to crash. So, save like an O.C.D. drip-fed on steroids frenzied madman. Make use of the shortcut. Make frequent use of it!
Tip: You may find yourself pressing the save shortcut too often, so make it a habit. At the very least, your efforts will be documented.
Music creation has become much more of a visual activity thanks to computer-based DAWs, often at the sacrifice of decent quality.
Tip: Close your eyes and focus your attention on your ears. When looking for a nice sound, trust your ears. It's probably nice if it sounds nice to you.
In post-production, you can apply as many effects as you desire. If you need to get your effects down, do it on a separate channel.
Tip: On the way in and through the mixing stage, keep your recordings clean.
You will be able to be more creative if you keep your studio, computer file system, or DAW session tidy.
Tip: Keep everything in order so you don't become overwhelmed or engrossed in technological concerns.
Every day, professionals sit down and work. This is what distinguishes them as professionals. They don't wait for inspiration to come to them. What you concentrate on expands.
Tip: Work on your trade every day, and the Muse will come to you frequently. It's a waste of time to wait for inspiration.
No, I haven't done any scientific research on this. I'm sure the articles are published in an academic journal somewhere.
Tip: To avoid brain-fry and cloth-ears, take regular breaks every 15 to 20 minutes, especially when mixing. This will protect your hearing, provide you with greater perspective, and increase your productivity.
A skilled music producer is just concerned with the final mix. It's up to you how you go to the holy grail.
Tip: You'll develop your own techniques and work-flow. What matters is only what it sounds like when you press play.
All channels are frequently routed directly to the stereo out or master bus by producers. The amount of control you have over the mix is reduced as a result. Creating sub-mixes of groups of tracks and then sending those sub-mixes to your master channel is a superior method.
Tip: You may have more control over the signal that finally reaches the master bus by grouping comparable instruments or sounds together. You can use this to bind groups together, regulate dynamics, and even add parallel processing to your group tracks.
Distortion may bring to mind guitar overdrive or fuzz pedals. Distortion can be used in many ways to achieve a better sounding track or mix. Try using heavy distortion or saturation in parallel to add body or bite to a track or instrument. You can EQ and compress your distorted channel and then simply blend it in with the original channel.
Tip: One of the most essential techniques for making better and louder mixes is distortion. You'll notice a difference in your tracks if you master the art of distortion.
It's all about alternatives in modern music creation. Is it possible to create a complete dance track with only one decent synth? Let's start with a single example. When it comes to music production, they say necessity is the mother of innovation, and this is certainly true.
Tip: As a challenge, impose constraints on yourself and watch what occurs. It's possible that you'll be pleasantly surprised by what happens.
Over-complicating can lead to overwhelm later on. The idea is to get to 80%-90% done as soon as possible and then fine-tune and finesse the track.
Tip: The simpler you keep the production process at each step of the way the faster and easier it'll be. Finished tracks are what it's all about.
You'll get to a point when you feel stuck and as if you're not making any progress. This is a procedure that most producers go through. Those that succeed are those who push through their doubts and anxieties and keep going.
Tip: The hump you're pushing up against will peak and then begin to descend. Continue to grow and pay your dues, and you'll soon be the one who makes it appear simple.
Not everybody is born with a perfect singing voice, some have to work really hard on it. But don't worry as we have got you covered. This article is all about enhancing your singing voice by following some simple and amazing tips.
The key is to have a control over your pitch which means not to get carried away or losing the focus on some high or low notes, which is a sign of no control over your pitch or voice.
Enhance your vocal code by doing some simple muscle in throat exercises, continuous vocal practices, and some breathing techniques etc. Only a good vocal support can produce a good singing voice.
If you want to be a good singer you need to work on your volume such as not every song is of high notes, learn the difference by practicing on high and low notes along with the style that works best not only for the music but for your vocal cords as well.
Be well aware of your vocal cords as to what pitch suits you. Biggest you don't want to lose your voice by practicing wrong pitches.
The most important tip is to sing in your own voice and not to copy any artist because you are you and you want to sell your real voice.
Record yourself singing and look for your weak spots by comparing your singing to the original singer. Find mistakes like if you hit the wrong note or you had breathing issues.
As we all know “practice makes perfect”, you need to work daily on your voice, look for workouts that will it strengthen your vocal cords and improve the range. Practice singing for around 30 minutes a day.
Warm up exercises are very necessary In order to have a perfect singing voice. Such as humming to warm up your vocal muscles.
If you want a strong singing voice then you need to have a strong breath. Breathing exercises also reduces your stress and make your mind fresh. Take long breaths while inhaling and exhaling plus hold your breath for a while in between.
To be a good singer you need to care extra for your voice and try to avoid activities that puts extra stream on it. Drink eight glasses of water in order to keep your vocal muscles hydrated.
Uh correct posture produces more effective voice. A good posture helps the air moving through your throat, and help you in singing high notes. It is advised to practice singing while laying down straight on the floor by completely relaxing your body.
Perfecting the art of Enunciation will help you produce good singing voice that will help you sing louder and clear notes. Practice saying vowels A-E-I-O-U by standing in front of a mirror and see how your jaw moves.
Daily stretching of face and neck muscles make them flexible and you can then have a control over them. Practice some actions that will help you loosen those muscles, such as wide smiling, eyes rolling and eyebrows arching.
If you think that you can hit high notes by singing to the highest pitch then you are completely wrong and you need to think down because singing to the highest pitch will only damage your vocal muscles. Try free crying in order to great perfect high notes while singing.
If you are unsure about whether you have a steady beat or not, you need to buy a metronome. Practice singing with it to have a steady tempo. Moreover, there are several apps available on the Internet to help you maintain a steady beat.
No matter what you do confidence is one of the major element. If you have no confidence on yourself and your talent let me tell you you will fail miserably. If your voice will be confident then you won't need any extra elements do reach your audience, your voice will speak for itself.
In this digital era, it’s really important for musicians to brand themselves to stand in the crowd. Artists work really hard to make their music stand out but they also need to work on their online presence to attract eyeballs. Below is the guideline to help you promote your work worldwide.
One of the major tools for musicians is to have their own website where their fans can go and learn about their favorite musician. In this way you give a platform for your fans and journalists to come over and look at your struggle and your achievements.
One of the cheapest option available to build a website is WordPress website plus if you are into manually handling the designing process then you can go for Wix but if you are into creating a good creative website then you can definitely check squarespace, you need to purchase a domain name but there you can get some creative high end designs.
Following are the list of pages that you should have in your website:
This page basically includes your bio, history and achievements.
This page includes your youtube videos, Spotify links and other site options where your fans can Can check your work in just one go.
This page includes your reviews from fans or journalists along with the interviews if you have had any.
This page might cost you a bit but it's totally worth it. You need to place your merch like T shirts, mugs, key chains etc plus you can include an MP3 download option and you can also please your CD for fans to buy.
This page includes all the necessary information for fans and journalists to contact you and your team for events and for some other stuff.
There should also be a subscribe button for newsletter subscription in order to be updated about your upcoming music and events.
Being in the music industry is not easy so you need to maintain professional communication with people across the industry. Be nice to your team, to your fans and the journalists they are doing great job in promoting you and do have a check on your fellow industry members, try sharing their successful work on your platform they will definitely recommend you.
You need to have a perfectly balanced mix of your professional and personal life as your fans love to get involved in your personal life because they listen to your music Andy treat you as part of their family so they also want to be a part of your family.
Your audience is more likely to be involved in your day and are more interested to know about your upcoming music so it's better to post some BTS or something to give them an idea about your upcoming game. So be consistent in posting content on all your platforms and yes, don't forget to upload your music on the front music sharing apps.
Try to get your professional photoshoot done so that you have high resolution pictures to post on your platforms. Get your hands on amazing journalist who can write an article about your work very deeply so that you can put your foot forward.
Electronic press kit is a PDF file which includes your high resolution Picture along with the bio to your band, latest content and clickable links to your social platforms.
People Are more interested in updating social media where they can find your latest releases and your upcoming content as well. One thing to keep in mind is not to post too much so that it looks cluttered but you need to make your audience aware about your upcoming content.
Support your fellow musicians, share their work with your audience and they will share yours. This is a two way thing and this is how you build your base in this industry.
Lift up your game by finding some amazing music journalists, bloggers and magazines that will happily share your work.
Who needs a website until they are famous enough that hundreds and thousands of fans are googling their name? That’s a common misconception among musicians. You as a musician must have an impressive website. Especially, at the beginning of your career.
As a creator, creating, protecting, and monetizing copyright is the essence of what musicians do. It’s the most basic and fundamental concept upon which this whole industry is standing. So what is copyright anyway? Copyright is a kind of property, but an intellectual one! Its intangible means it doesn’t exist in physical form but still your property. Your music is your brand child and it has a certain value. To claim ownership of your music it needs to be original and fixed. By original I mean, unique and yours. You can’t take someone else’s work and add a few notes or lyrics here and there to make it sound new it has to be 100% new. Plus it has to be fixed meaning is somewhat physical form may it be just on paper or a full flashed studio recording.
Musicians tend to spend hundreds or thousands of dollars on musical instruments, equipment, software and other tools that help them in creating music but when there is a time to market or promote their music they do not see the need to spend on it. They still believe in old thinking that people will automatically hook to their music if it is great, so there is no need to spend money in promotions. But the reality is around 40,000 songs were uploaded in 2019 to Spotify each day and it is growing rapidly since then. This has created a strong competition to get the attention of people in the pool of songs. Musicians need to promote their songs carefully to stand out in the crowd and one such way is to promote via social media.
As a guitarist purchasing the guitar will probably be the highest invested item but there are numerous gears from being important to not-so important..
Let’s dive into the most essential gears all the guitarist should own.
Until you intend to go on 100% freestyle, select a few picks. The best is to shop them in packs, saving a few bucks plus you are going to lose some so it is better to have them in packs. Keep a generous supply of picks from prominent manufacturer such as Fender, Dunlop etc. along with few alternatives based on the genre of music.