Скачать бесплатную программу для создания музыки

КАК НАЧАТЬ СОЗДАВАТЬ МУЗЫКУ С TRACKTION WAVEFORM 11 Производство музыки как процесс восходит к 1720-м годам, когда шарманка стала мейнстримом во Франции. Но именно в 20 веке в этом процессе произошло несколько квантовых скачков. Устройства, доступные современным музыкальным продюсерам, варьируются от синтезаторов до DAW и небольших и простых приложений для смартфонов. Скорость, с которой музыкальное произведение достигает целевой аудитории, невероятна с момента появления социальных сетей и онлайн-сервисов потоковой передачи. Loopazon представляет вам TRACKTION WAVEFPORM, одно из самых удобных приложений для создания музыки в мейнстриме. История программного обеспечения Tracktion Новички могут отточить свои навыки в бесплатной версии Waveform. Это кроссплатформенное программное обеспечение, которое работает в разных операционных системах, а именно в Apple, macOS, Microsoft Windows и Linux. Это в основном предназначено для записи и редактирования аудио и MIDI. Tracktion DAW был разработан британским программистом Джулианом Сторером. Программное обеспечение дебютировало в 2002 году. Первоначально оно было известно своим одноэкранным подходом. Удобный интерфейс в первой версии позволял пользователю видеть и работать с несколькими функциями, такими как редактирование звука, настройка параметров автоматизации MIDI и настройки эффектов. Наиболее востребованной функцией tracktion была разработка «Freeze», возможность конвертировать звук трека MIDI-инструмента, чтобы освободить ОЗУ и ЦП, а также встроенный редактор MIDI, который позволяет редактировать MIDI в треке, а не в файле. отдельное окно. Таким образом, она стала первой DAW, использующей полностью векторный интерфейс с изменяемым размером. Базовый исходный код C ++ графического интерфейса Tracktion позже был выпущен как библиотека с открытым исходным кодом. Форма сигнала Tracktion 11 Последняя версия программного обеспечения Tracktion выпущена в августе 2021 года. Waveform 11 включает субтрактивный синтезатор с 4 осцилляторами и сэмплер микробарабана, который является главной достопримечательностью. Платная версия, известная как профессиональная версия, имеет плагин-песочницу, чтобы сделать работу быстрее и плавнее. Функции: Включены полноценный MIDI-редактор, поддержка тайм-кода, модификаторы, субмикширование и субтрактивные синтезаторы. Платная версия также включает треки аранжировщика и макросы плагинов. Ограничения искусственной дорожки меньше, включая настраиваемое рабочее пространство. Расширенные инструменты макета — это преимущество, упрощающее рабочий процесс для конкретных нужд. Музыкальный продюсер может редактировать обзор с помощью простой навигации. Эта опция упрощает проверку композиции с помощью мини-карты проекта. Версия Pro добавляет 122 новых разнообразных плагина. Как создавать музыку с помощью Waveform 11, как профессиональный музыкальный продюсер? Если у вас есть разумное чувство музыки и некоторые базовые знания игры на клавиатуре, то с помощью этих простых шагов вы готовы начать создавать свою собственную музыку. Здесь мы рассмотрим, как настроить аудиоинтерфейс, как записывать аудиоклипы и клипы MIDI-контроллера, добавлять различные эффекты и размещать клипы на дорожке. Аудио интерфейс Во-первых, перейдите на вкладку «Настройки» на панели инструментов и нажмите «Аудиоустройства». Вы увидите столбец «Тип аудиоустройства». Там вы должны убедиться, что он упоминается как ASIO. [Если у вас нет звуковой карты azo, замените ее на карту любого типа, которая у вас есть, например Windows Audio или Direct sound] Перейдите к столбцу «Устройство» чуть ниже «Тип аудиоустройства» и выберите свою звуковую карту. Оставьте частоту дискретизации по умолчанию, которая составляет 44 100 Гц, то есть качество компакт-диска. Нажмите на вкладку «Размер аудиобуфера». [Имейте в виду, что чем меньше размер аудиобуфера, тем меньше задержка] Настройте его в зависимости от качества вывода вашего устройства. Запись аудиоклипа Перейдите на вкладку «Проекты» на панели инструментов и настройте внешний вид экрана. Закройте раздел, видимый слева, и нажмите на глазное яблоко в правом верхнем углу, чтобы отключить различные части интерфейса. Теперь вы можете увидеть страницу проекта с треками, пронумерованными слева. После этого запишите любой звук, который вам нравится, в «Дорожку 1», а затем нажмите на эту вкладку и выберите свой вход [например, гитара как аналоговый 2]. Теперь, когда вы будете играть на гитаре, вы увидите зеленый сигнал. Afterclick на кнопке со стрелкой рядом с тем местом, где вы ввели свой ввод. В случае, если ваш инструмент не звучит на дорожке, вы должны нажать на кнопку «Live Input Monitoring». Включите отслеживание кликов, нажав кнопку «Клик» в правом нижнем углу. Если вы хотите настроить свою дорожку, нажмите кнопку «Click Track» в нижней левой части и выберите «Предварительно записать длину» и выберите 1 такт или 2 такта отсчета. Этот шаг является необязательным. Теперь приступайте к записи. Теперь, чтобы ваша запись звучала более плавно, установите сторонний плагин amp sim. После установки перейдите на панель настроек и выберите «плагины». Waveform автоматически выполнит поиск установок и отобразит их на экране. Для добавления плагинов. Нажмите на знак плюс и нажмите на папку и нажмите на сканирование. После выполнения вышеуказанного шага вернитесь на страницу проекта и щелкните правой кнопкой мыши синюю вкладку раздела Analogue 1+2, см. правую часть страницы. И добавить новые плагины. После этого выберите нужный плагин [например: амплитуда] и воспроизведите свой трек. MIDI-контроллер Прежде всего, настройте свою MIDI-клавиатуру. Для этого убедитесь, что ваш MIDI-контроллер подключен. Вернитесь в «Настройки», нажмите «MIDI-устройство» и включите свое устройство. В случае, если вы хотите использовать клавиатуру компьютера, просто нажмите «Создать виртуальный MIDI-вход», дайте ему имя и нажмите «ОК». Теперь клавиатура вашего компьютера будет работать как миди-клавиатура. [не забудьте использовать строку букв, начинающуюся с A для белых клавиш и W для черных клавиш] Вернитесь к ПРОЕКТУ. Нажмите на дорожку 2 и выберите миди-контроллер. Теперь, когда вы играете на миди-клавиатуре, у вас будет зеленый сигнал, хотя звука нет. Теперь вы должны добавить синтезатор. Для этого щелкните правой кнопкой мыши синюю вкладку раздела «Выход 1 + 2», добавьте «новый плагин» и добавьте «40 SC Synth». Если у вас есть бесплатная версия Waveform, у вас есть все шаблоны. Теперь прослушайте миди-треки и посмотрите, идет ли сигнал. Чтобы активировать трек для записи, нажмите кнопку «Отключить звук» в разделе «Выход 1+2». Это заглушит гитару. Затем нажмите «Запись». Теперь некоторые миди-ноты записаны на секции Track 2. Когда вы щелкнете правой кнопкой мыши по заголовку клипа, вы увидите настоящую пианино. Вы можете изменить размер или масштаб, чтобы ваши заметки выглядели больше, и вы можете перемещать, квантовать, а также регулировать скорость ваших заметок по вашему желанию. Кроме того, просто попробуйте некоторые пресеты. В случае, если вы не хотите использовать вход миди-контроллера, просто выберите «без выхода» на панели Track-2. После этого, если вы хотите нарисовать миди-вход, перейдите в правый верхний угол, добавьте временную шкалу и вставьте новые миди-клипы. Вы также можете добавить другие звуки и отредактировать миди-клип. Попробуйте выполнить описанные выше шаги, а также используйте эффект сэмплера микробарабана. Нажав и перетащив, вы можете редактировать. Вы также можете делать копии с помощью Control C Вы также можете разделить клипы, поместив курсор в нужное место. Нажмите косую черту на клавиатуре, и она разделится. Экспорт в файл MP3 Перейдите на вкладку «Экспорт» в левой нижней части и создайте файл. Нажмите «Формат» и измените его на mp3 или r как Wav. Нажмите «Обзор» и выберите, где вы хотите назвать имя, нажмите «Сохранить», а затем нажмите «рендеринг». Ваш трек готов. Заключение Waveform 11 — это бесплатная DAW для всех создателей музыки, включая неограниченное количество треков, популярные плагины и наборы функций. Traction выпустила бесплатные шаблоны для различных целей, таких как запись группы, подкаст, создание песен для рекламы, фильмов и т. д. Многие музыкальные продюсеры называют Waveform лучшей бесплатной DAW из доступных. Установите бесплатную версию иначни творить чудеса своей музыкой.

  KONTAKT 6 - The Industry Standard Sampler   KONTAKT has always been a great workstation for synths, sampled instruments, effects, and loads more. It brings everything together in one place. Kontakt is a definitive music production tool featuring a comprehensive selection of sampled instruments. It is a straightforward sampler, instrument host and a deep sonic scripting library when needed. The built-in library puts 43+ GB of a wide range of instruments at your fingertips. Kontakt facilitates an easy drag and drop operation to work with samples. You may drop samples into the interface and also use your own sounds. You may also build your own instruments with KONTAKT’s sample-editing and instrument-building options. The first version of KONTAKT was released in 1996. In over two decades, Kontakt under Native Instruments, has become one of the most definitive mainstream software samplers. The Kontakt libraries released by Native Instruments are popular among leading music producers of the world working in multiple platforms like Cubase, Logic Pro, Nuendo etc. KONTAKT 6 remains an industry standard sampler today. A free version called KONTAKT Player is also available for starters. However, you cannot sample new instruments in this version as it bars access to The Editor. The Editor is the place where you sample a new instrument and map out the keys for the MIDI keyboards. However if you just want to work with the vast buit-in sample collection, the PLAYER would suffice to get you started with all the fun. KONTAKT is compatible with most of the mainstream DAWs and can run as an instrument in each of them. It can also run as a standalone application in mainstream operating systems like Mac OS, Windows and Linux. For starters who don’t own a fully functional version of another mainstream DAW, the standalone KONTAKT application could work as your DAW. Features of KONTAKT 6 The comprehensive built-in multi-genre sample collection . Options for tweaking instruments. Quick Search function that facilitates navigation of libraries including unlicensed ones. Extensive Instrument editing with script processor editor. High-end performance View for each KONTAKT 6 PLAYER library instrument. Automation and Total Recall in any audio host. 33 high-end effects along with 57 high-quality filters. Has access to extended performance controls like articulations, pattern switches, key splits, and more.   The vintage synths from Retro Machines Mark II. Tools like Wave Editor and Integrated Sample Editor for intuitive looping, slicing and editing. Works seamlessly with the Sunshine Orient KOMPLETE KONTROL S-SERIES keyboards for one-to-one visual feedback. The newly introduced Creator Tools, acts as a standalone application that facilitates easier and quickier instrument creation. Moreover, it has a multi-instance Debugger, an Instrument Editor and a GUI Designer. Flexible editors, seven playback modes, built-in effects, and a sophisticated scripting language. How to Create Music using KONTAKT 6 On the right side of the KONTAKT interface, you will see an space. This is the place where all your instruments are loaded. On the left-hand side of the interface is a list of all the authorized libraries. When you first buy a library, you get a serial number. Adding this serial number is essential to buy the library. Besides, most libraries get downloaded through Native Access. When the library is downloaded, it automatically pops up in the list of licensed libraries. The free version of Kontakt 6 will only playback licensed libraries. To load third party libraries and edit them, you need to purchase the full version of KONTAKT 6. Loading an instrument Browse through the libraries and find your desired instrument. For example, select Spitfire Symphonic Strings and select the instrument you want to add to your track. Now, the instrument gets loaded on a track [on the empty space]. Repeat the step to add more instruments as you please. Now, click on the Files menu to navigate an instrument which is not a licensed. When you find the instrument folder, double-click and drag it to the track where you want to load the instrument. You can create new instruments, save them and edit them with the options in the toolbar. The Keyboard shows both the range of instruments as well as where the key switches are. The bottom part of the instrument is always the user interface designed by the sample developer. The top part of the instrument will have the MIDI- channel option. Click on MIDI channel and select Port A. Here you can load up to 16 instruments into one instance. Memory tab adjacent to the midi-channel tells how much space a particular instrument uses up in megabytes. Then you have the purge, pan, solo and volume buttons to make further adjustments. By default, loaded instruments will go Channel 1, 2, 3 chronologically. based on the number of instruments you use. If you are going to use multilple outputs, it is recommended that you use the 16-output stereo. You must allocate instruments to separate MIDI channels as well. Open up the mixer and add AUX channels. Click on Control and create track. Aux will appear as tracks. Now, go back to KONTAKT and play the loaded instruments one by one Click on Output Pane. Now you get your default outputs. Click on Preset/batch configuration. Select batch functions and click on clear output section and create an individual channel for each loaded instrument. Now tracks will get allocated separate output channels. Now, go to the instrument and click on activate outputs All this would show up in your mixer. Mix with effects plug-ins, create your track and export the track. Browsing through the key components in the Waveform interface Three fully featured instruments from the Play series namely, Analogue Dreams, Ethereal Earth and Hybrid Keys. Browser that provides functions for managing your collection of KONTAKT files. Main Control Panel that provides options that toggle the display of assorted optional interface parts like the Browser. . Master Editor that contains global controls that affect the behavior of all Instruments. Rack which displays all current Instrument Headers. Instrument Header which contains the Instrument’s name and various parameters, like MIDI input channel, output level, panning position, and tuning. Outputs Section that displays a channel strip for every configured Output Channel, plus four Aux Channels. On-Screen Keyboard to display a virtual On-Screen Keyboard that you just can use to play instruments together with your mouse, and visualize key ranges. Info Pane that displays details of the chosen Instrument file below the Browser, and a quick explanation of the control at the mouse position below the Rack. Conclusion Owning KONTAKT 6 will give you over 43 gigabytes of built-in sample collection which is a major upgrade compared to a mere 600 megabytes in earlier versions. There are around 100 presets for every instrument. Kontakt also facilitates sample and MIDI sharing between instruments. The Analogue Dream is literally the dream of any retro-music aficionado. The retro synth library hosts a comprehensive collection of vintage pads, percussive effects and bass leads. The expansive collection of built-in samples alone makes the KONTAKT 6 one of the best contemporary tools for sampling.      

The Simplest Audio Editing Application - Ocenaudio Sound editing is one of the most crucial parts of any form of media production, be it movies, commercials, podcasts or music. Quicker and simpler sound-editing applications have replaced the multi-featured complicated ones over the years, thus making it less intimidating for rookies. Ocenaudio is not just one among these new quicker or simpler applications. It is in fact an industry standard that is often hailed as the quickest and simplest sound-editing tool. Ocenaudio is a cross-platform audio editor which is loaded with multiple format-support, spectral analysis and audio signal generation. It resolves noise, echo and interference issues from audio files. Ocenaudio is equally stable in all the mainstream operating systems that it is compatible with, viz. Windows, Mac and Linux. Once you get the hang of Ocenaudio, it is so quick to work on as it offers cohesive and intuitive audio editing and analysis features. Ocenaudio was designed and developed by a Brazilian research group at the Federal University of Santa Catarina. This application relies on Ocean Framework, a strong library developed to simplify and standardize the event of audio manipulation and analysis across multiple platforms. The user-friendly and simple interface makes the learning curve easier for newbies. Though Ocenaudio is not equipped with the comprehensive features of a DAW, its sound editing functionality is as good or even better than many of the mainstream sound editing applications. Some sound editors consider Ocenaudio superior to the more popular free alternative, Audacity. Features of Ocenaudio The application features a simple dashboard with audio recording, audio manipulation, pug-in integration, mastering and media library. You may use plugins and also download records directly. Ocenaudio supports VST (Virtual Studio Technology) plugins, enabling its users to work with a multitude of virtual instrument libraries. To aide configuration, you may use the Real-time preview in Ocenaudio for all effects including VSTs. The Spectrogram feature allows you to separate and remove background noises and use the spectral view option to check track properties. Graphic Equalizer facilitates the removal louder sections of your audio. You can also partially compress individual segments of your track using this feature. You can also merge multiple tracks and also compress section from the merged track. The REVERB function allows you to make favorable adjustments to the echoes and eliminate residual echoes. To make similar changes to multiple segments in the track, you may perform batch modifications. Compared to other mainstream sound-editing applications, Ocenaudio has properly labelled axes rather than an arbitrary indication of volume. The program allows user to create filters and effects to the track with it. Cutting and pasting audio segments to develop a replacement track is additionally achievable. With Ocenaudio you can label individual regions and batch edits to facilitate quicker and editing and looping. Though Ocenaudio allows you to import and work with large files, the platform is not stable enough to process them. As a feature, it does allow you to import large files. However Loopazon recommends it only for working with files that are smaller in size. . The application also lets you work with multiple files simultaneously, and remains responsive most of the time on a stable operating system. Time-consuming tasks such as opening and saving audio files, or applying effects happen in background, allowing you to work on other files. Recording and Editing with Ocenaudio Download Ocenaudio from the official website: www.ocenaudio.com.br. Use the Ocenaudio Recorder to record you audio. Use Finder to access the contents in your Applications folder. Use Spotlight, which is found at the top-right corner of your Ocenaudio interface, or simply access it by pressing Control/cmd + Spacebar. When the application is launched and running, click the circular red Record button  to start recording a replacement audio. [Default values - Sample Rate - 44,100 Hz, Channels is Stereo and backbone  - 16 bits]. Click OK, once you are ready to record. While recording, it os important to use the time display at the underside to check the length of your recording. Press the Record button again to stop the audio recording. Exploring the features of the simple dashboard: Click on Ctrl+ O to import single or multiple audio files. Each audio file will have a separate timeline for itself. Now, to remove additional audio or noise after buffering, you may“trim” your audio file. After removing additional audio, edit your track with the “waveform”. To make adjustments to the loudness of the audio, use the “show/hide gain” tool to make changes to the decibel values. Use the “Centre and Zoom bent on” feature to locate unwanted segments and delete them. After that, click on“Effects” and Select “Equalization” and then click on “ Band Graphic Equalizer.” This option allows the user to easily adjust the sliders throughout the timeline and thus get rid of the unwanted louder segments. Ocenaudio’s sliders facilitate a very smooth movement through the timeline without external assistance. Now, select the desired segments from the audio file to perform the subsequent edits. Use the REVERB feature to tweak the echoes or remove residual echoes on your track. Click on Reverb option to urge obviate any residual echoes within the audio. Saving your file. Once you are done performing edits and making other adjustments to your track, you can save your file using multiple options, you will save your file using various record options. On your computer keyboard, Click R to instantly save the file. If you want to merge two or more recordings, select all of them, right-click on your mouse and select ‘Join’. With Ocenaudio you can convert your track to mono or stereo and even split one stereo track into two mono tracks. Right click on the track you want to convert and then select ‘Convert to Stereo’ or ‘Convert to Mono’. The application performs edits that are destructive in nature. Performing such edits would completely change your file and is often irreversible after a point. Thus it is important to save desired versions of your audio separately on your hard-drive. Thus, these files are protected from the changes made on further edits in your Ocenaudio session. It is not a great multi-track editing tool for complicated audio. However, it is one of the go-to tools for simple stereo and mono track edits. Video files in the mp4 format too are supported by the application. However it is highly recommended that you avoid high-resolution files or large size as they tend to make Ocenaudio crash. Hence Loopazon recommends Ocenaudio only for performing edits small files. Conclusion Ocenaudio is a totally uncomplicated application to perform small edits to your stereo and mono files. Some features in Ocenaudio are often hailed superior to Audacity, by sound editors. The interface in simple and concise, enabling rookies to quickly get familiar with the operations and functionalities of the application. There is no limit to the file size, audio length or the amount of files in Ocenaudio. However, as recommended in this article, you should choose wisely when to use this application. Working with too many files, especially large ones tends to cripple the application, thus making it crash. There are better free alternatives for editing sound with large file-sizes. According to us at Loopazon, Audacity holds the edge while working with large files. The stability and performance of Audacity is far superior to Ocenaudio, despite some superior features in the latter.

Soundop - A great tool for professional audio editing Soundop is a professional audio editor software for Windows-based computers to record, edit, and master audio files. Soundop features a concisely designed interface with a comprehensive set of features. Soundop facilitates both spectral and waveform editing with the audio file editor. It is powered by a strong engine that supports side-chain and automatic latency compensation, thus enabling you to work with an infinite numer of audio trakcs and bus tracks. It also features a CD track editor that allows you to burn audio files to a compact disk. With the batch processor, you can process multiple audio files together and save them in your desired format. Features of Soundop Enables you to record and playback audio files with DirectSound, WASAPI, MME, and ASIO drivers. It also enables you to perform a Set channel mapping for all audio devices. With the loopback recording system [WASAPI] you may record your audio clip up to24-bit and 192 kHz. Soundop allows you to work with your favorite ACID loops and also mark and edit loops. It can also crossfade sample loop ends as well as search best sample loop position automatically. It allows you to crossfade sample loop ends. You can search the best loop position, which can also be done automatically. Soundop lets you edit metadata within the ID3 tag, Vorbis comment, RIFF, AIFF, and other formats. Interestingly, it also lets you edit cover art for MP3 and FLAC files. You may record audio with insert mode and overwrite mode. The overwrite mode replaces the existing recording with the new one. You may also schedule your future recording. Performs a sequence of editing and processing operations to a predefined time and frequency range with processors. Soundop lets your normalize amplitude and take away dc offset Soundop lets you record simultaneously from multiple input devices. The application also automates track and clip effects with the read, write, latch, and touch mode. Soundop has well-designed built-in effects and supports VST and VST3 effect plug-ins, and supports parallel or mid-side effect groups to form composite effects. Soundop supports both VST and VST3 plugins. Besides, it supports parallel effects to create composite effects. Soundop also has a favorable set of built-in effects. With the FX rack on Soundop, you can apply an array of effects to the you audio. Soundop lets you generate speech, tonal audio and colored noise from text. Soundop also lets you to locate unwanted noise easily with Spectrogram. You can remove this with spectral editing. Soundop also facilitates seamless processing of audio with high-quality built-in effects like reverb, delay, chorus EQ, flanger, phaser compressor, limiter etc. Organize effects as one effect with FX group, Mid-Side Splitter, and Parallel Group effect. You may organize multiple effects with FX Group, Parallel Group effect and the Mid-Side Splitter. Customize keyboard shortcuts to your convenience for all project types. How to Record and Edit Audio in Soundop The first important step is to set your default audio device. As already mentioned, ASIO and MME are among the devices supported by Soundop for recording and playing back audio. The default device is set in Audio Device Preference. You may set multiple input devices to audio tracks to on multiple devices concurrently. To manage VST plug-ins later, choose Options > Manage VST Plug-Ins. Audio File • Click on Files and select Recent Audio Files. • Open the audio file and drag and drop it to the panel or Audio File Editor. • You can also open audio files from the Start Panel or the Browser. • You can drop to Multitrack Editor to feature clips to audio tracks. You can also use the CD Track Editor to feature CD tracks. Use the batch processor to feature each of them on the process list. When an audio file or a mixing project is opened, the audio content is displayed in Editor panel. Each component is listed as marked in the following image. Components within the audio file editor: 1. Waveform view. 2. Spectrogram view. 3. Time ruler. 4. Time scrollbar. 5. Edit-cursor/play-cursor. 6. Time selection. 7. Amplitude meter. 8. Frequency meter. There are multiple ways to navigate audio in time. In the waveform view, spectrogram view: • Roll mouse wheel to zoom at mouse position. • Shift + roll mouse wheel to scroll horizontally. In the multitrack view: • Ctrl + roll mouse wheel to zoom at the the mouse position. • Shift + roll mouse wheel to scroll horizontally. After navigating, Click on Selection / view panel and set the view range by changing the worth in time edits. Now, select time selection tool and involve view. Drag left or right fringe of the choice to stretch time range. You may control playback with the Transport panel or commands in the Transport menu. To play the audio from a particular position: 1. Set your cursor to the position. 2. Click the Play button to begin playback. 3. Click the Pause button to pause or resume playback. 4. Click the Stop button to stop playback. To play different segments from your time selection, use the Transport menu. To Loop playback, toggle the loop button on. To scrub audio: • Choose Transport > Shuttle Right to increase the speed of the playback forward • Choose Transport > Shuttle Left to hurry up playback backward. • Choose Transport > Shuttle Stop when done. 1.Stop. 2. Play. 3. Pause. 4. Record. 5. Loop. 6. Cursor on PREVIOUS. 7. Rewind. 8. Fast forward. 9. Move cursor to NEXT. 10. Stop in alternate mode. Steps to recording audio: Set cursor to start position or select gour time range to record on. Click the Record button in Transport panel to start your recording. Click the Stop button in Transport panel to prevent recording Also click Pause button in Transport panel to pause or resume recording. While recording, you may monitor the input levels with Levels panel. Remove noise with noise profile Select a segment that contains only background signal. Choose Tools > Capture Noise Profile. Set FFT Size to alter the resolution of noise profile. Apply noise reduction If the noise profile has been captured already, you'll have the noise pattern removed within the profile with noise reduction: Select a segment to use noise reduction, or clear selection to use to any or all. Choose Tools > Noise Reduction. Adjust parameters and preview effect before applying. Now, add effects to FX rack, change parameters and preview the effect by playing back the audio selection. Click Apply to apply the above effects and then clear the FX rack. To insert silence , set your cursor to the insert position or select the time range to add/replace segment with silence. Choose Edit > Insert Silence and set the length of silence. Inverting Audio Inverting audio data will rotate the audio phase by 180 degrees. Select the audio data to be inverted or clear selection to invert all. Choose Tools > Invert. Reversing Audio Now, select the audio data to be reversed or clear selection to reverse entire audio. For that, choose Tools > Reverse. If you want to edit only the audio data within a very specific frequency range, make a spectral selection first. To create a spectral selection: Select the Marquee tool. Then, drag out a rectangle on the spot within the spectrogram view. Finally, the spectral selection will be adjusted by dragging edges and corners of the rectangle within the spectrogram view. For many editing operations, zero-crossins are best points to avoid audible artifacts at edit boundaries. To adjust selection edges to nearest zero-crossing points, user must choose commands under Edit > Zero Crossing. Once your audio file is ready to export, you can choose from the following options: Choose File > Save to - For original format and site. Choose File > Save On - to save to a new location or format. Choose File > Export - to export audio contents to a brand new file. Choose File > Export Selection - to export only selected audio to a replacement file. Conclusion Soundop supports loading audio from all popular audio and video formats and exporting audio to major audio formats with metadata like ID3 Tag, RIFF Chunk, Vorbis Comment, and ACID loop edited and saved across formats. The supported formats including MP2, MP3, AAC, OGG, FLAC, APE, WAV, AIFF, and WMA. Soundop isn’t the best when compared to better options that are free, especially those that comes with a much larger built-in fx library. However, Soundop is quick and concise and is certainly one of the better options available for sound-editing.

Twisted Wave - A user-friendly audio editor for beginners and professionals alike Twisted Wave is to audio editors, what GarageBand is to budding music producers. It is a portable audio editing applicaton for Apple users. Built for iOS, you can have the application installed on your iPad or iPhone. Twisted Wave is available on Apple’s App Store.The application is not yet available for Android devices. Features of Twisted Wave The waveform is updated in real time and is incredibly responsive. UNDO and REDO features work instantly even on slightly older Apple devices, making it very user-friendly. Just like Apple’s GarageBand, Twisted Wave can be learned quickly by beginners. It is much simpler than GarageBand and thus also recommended for vocalists. The application comes with many effects in the form of both audio units and VST plug-ins. You may create, edit and save and edit unlimited number of effect stacks. Keyboard shortcuts can be customized according to your preference. It also offers streamlined instruction execution, like its best competitors. You can toy with the audio quickly. Copy or paste, amplify or normalize to regulate the sound levels, add fade-ins or fade-outs, apply different types of filters to control the lower or higher frequencies. You may directly upload audio using FTP. You may configure FTP accounts as well. The application allows you to send files compressed in the AAC format. How to use Twisted Wave What makes Twisted Wave unique is its ability to cope with very large files. This ability is absent in most of the free audio editors we have discussed before, including Ocenaudio. You don’t need to wait until Twisted Wave has finished loading a file. You may to instantly start playing back your audio after applying an effect, or even start applying the next effect. To begin with, load an existing audio file, or create an empty document. For that, create a replacement document by selecting File / New from the main menu. In the New Document Settings window, you are asked to select your bit depth, sample rate and number of audio channels. If you don’t wish to start with an empty document, you may open an existing audio file, and begin working on it. Select File / Open from the main menu. Now, you can work with the Waveform using zooming and panning tools. You may start recording by selecting Audio / Start Recording from the menu, or by pressing the Record button from the toolbar. Another recording mode is accessible by selecting Audio / Punch-In Recording. After that, from the Select Menu and choose Edit Selection. The selection editor allows user to enter numerical values for the beginning, end besides the size. Simply entering a numerical value like 5 corresponds to 5 seconds. For example, you can enter 1m14 to point one minute and fourteen seconds. Click on Select / Edit Cursor, or find it on the toolbar Advanced selection- Instead of selecting a segment, applying the effect, selecting another area, and reapplying the effect, you shall select all the areas directly, preview the desired effect on all of them, and apply it. Select Auto reach crossing from the main menu and enable it. Now the choice gets automatically extended by some samples to the subsequent zero crossings of the wave at its edges. 10. Click Select and choose Detect Silences. When the silence detector is open, it will automatically analyse the audio file, and detect the silence portions. Now, you shall perform any of the following actions from the pop-up: Select Silences- This selection will select the parts of the audio containing silence. Select Sounds- This does the exact opposite. Place Markers- Markers are going to be automatically placed at the beginning and end of every detected silence segment. Delete Silences- All the silences are deleted. Delete Silences and Mark-all the silences are deleted, and a markers are going to be placed where the cuts were made. 11. Expert Silence Detector- if the easy silence detector fails to detect the silences contained within the audio file, you should switch to the "Expert mode" where a variety of parameters like Threshold, minimum silence duration, minimum sound duration and left and right padding allow you precisely detect silence.   . 12. Once you select Delete Silences and Mark the detected areas, split the file and export all the parts separated by markers from the main menu, Markers / Split by Markers. 13. Detecting transients enables Twisted Wave to automatically detect the individual shots within the file. The operation Select / Move Cursor to Transient, available with the key by default, moves the cursor to the subsequent transient within the file. 14. Twisted Wave comes with a Special Pasting feature. Go to the Edit menu and select Special Paste. What makes the special paste option special is its ability to automatically fade in and out the contents of the clipboard. 15. In order to use a crossfade in Twisted Wave, simply select the region you would like to delete, and choose Edit/Delete and Crossfade. A window will pop-up asking you the duration of the crossfade. You may then proceed to combine the audio segments/regions [before and after the deleted region]. 16. You may find that simply playing a variety is not any enough to create accurate selections, and this is often where scrubbing comes handy. 17. Scrubbing gives you more control on the position of the playhead, allowing you to concentrate on specific segments of the audio to get a clear idea of where a particular sound is located in the waveform. The option is enabled by clicking and dragging the mouse within the rulers. Three scrubbing modes will be selected from the preferences window [Repeat, velocity and position]. 18. After this, let us start using the effects. Firstly, select the amplify effect to regulate the volume. Now choose “Normalize to" effect to indicate what level is being normalized. 19. Now move on to Fade in, fade out effects that will continually adjust the sound levels of the chosen region. When applying a fade-in, the volume level gradually increases to its original level. A turn does the opposite, and reduces the degree to zero. 20. With “Loop Crossfade", the top of the sample is crossfaded with the begining. The resulting sample will be played seamlessly in a loop. 21. All the channel manipulation functions are grouped within the Edit menu. Some basic functions allow you to feature or remove channels, and convert the audio to mono or stereo. Select the menu Edit / Reorder Channel. 22. Select Effects / Learn Noise Profile from the main menu for Noise Reduction. Now, select the entire file, or simply the part you would like to get rid of noises. Then choose Effects / Denoise. 23. In some cases, you may want an Audio Unit or VST plugin to be applied not just to at least one document. A VU meter, as an example, may well be useful for all the documents you may be engaged on. 24. Click on the Save button at the top of the plugin window. You can also access saved presets from the Load Preset pop-up button. 25. With the effect stacks, Twisted Wave makes it convenient to group plugins together. Select New Effect Stack from the results menu, and Twisted Wave opens an empty window. The Add Effect menu allows you to settle on the Audio Unit or VST plugins you wish to add to the stack. Once you have added the desired effects, you may start previewing them by pressing the Play button. Conclusion Despite not being a multi-track editor, you shall add sounds and merge music and voice together. It is a very user-friendly portable light application for beginners. If you are an Apple user, do check this out.

Zortam - A Dedicated Tool for Editing Audio Information Zortam Mp3 media studio an audio editing application predominantly intended to be used for editing tags and metadata on audio files. With Zortam Mp3 Media Studio you will be able to autotag your MP3 files, rename them and use Mp3 tag information as well as write Mp3 Tags from a filename. Besides, the batch auto tagging process automatically downloads artist name, year, album art and other metadata like title and genre, track info to your Mp3 files using am advanced digital fingerprinting feature. The media studio is equipped with Zortam’s special Mp3 Auto Tagger, Mp3 Organizer, ID3 Tag Editor, Mp3 Player, Mp3 Volume Normalizer, tempo [BPM] Analyzer, Mp3 to Wav converte, YouTube to MP3 converter and CD Ripper. The details like the album artwork, lyrics etc which were added are often viewed in iPhone, iPod and Android mobile or tablet devices. As a desktop application, Zortam’s MP3 media studio is intended to be run on Microsoft Windows OS operating systems. It does support Mac or Linux yet. However any Windows version of the last 20 years namely, Windows 2000, Windows XP, Windows 7, Windows Vista, Windows 8 and Windows 10 shall be used to smoothly run Zortam. The application offers multilingual support with German, Italian, French, Spanish and Portuguese versions being available besides English. Zortam also has an Mp3 ID3 Tag Organizer for finding and cataloging Mp3 files into Mp3 library, editing ID3 Tag Editor-Mp3 Tag Editor. The CD Ripper in Zortam downloads album cover arts and lyrics from the internet as you rip your CD. Mp3 Normalizer with a custom volume level allows facilitates the normalization of your audio files. Features of Zortam Mp3 Music Studio : The software auto tags your Mp3 music collection using the Zortam Music Internet Database (ZMLIMD). It has Mp3 Tagger and MP3 Manager and iPod Manager. Play, normalize and burn Mp3's directly from your iPod. Supports lyrics and album cover art. Normalizes your MP3 files and sets the custom volume in dB Rips your CD with CD Ripper. Features a user-friendly drag & drop playlist manager and search function to find duplicate Mp3s. Batches file rename using information from ID3 tags (Mp3 Renamer) Writes ID3 tags using information from filename and organizes Mp3 music and edit tags in your audio library with a strong interface. Can load 50000 Mp3's and more at reasonable speeds. Zortam Mp3 Player has ID3 Tag Editor (Mp3 Tagger) with separate views for ID3v1 and ID3v2.4 Tags. It can also download song lyric and download cover arts (Album covers) from the Zortam Music Interent Database using instruction execution - iPod and iTunes ready. Batch Wav to Mp3 converter and contrariwise. The software can print HTML Lyrics book width cover arts. It also adds karaoke and midi files on to ID3 tags How to use Zortam Mp3 Music Studio To begin with, Auto Tag your Audio Collection- The application identifies audio files and adds details like the Cover/Album art, Artist name, Lyrics and other similar metadata information including Genre, Year etc. Instruction execution allows you to auto tag unlimited number of files. After that, files are tagged, organized and categorized by Artists, Albums, Genre, Year etc. Now, you may transfer the files to any device (smartphones, tablets etc.) which would automatically recognize the tags we had added with Zortam MP3 Media Studio. You have to manage a library contraining small to large collections of audio files, whether they're located on your computer harddriver or CDs. Now, organize, browse or search music by Genre, Artist, Year, etc. Rename files on your disk drive using your choice supported attributes.  2. The Advanced CD Ripper converts the music in your audio CD to Mp3 files and automatically adds Cover/Album art, Lyric and other information like, Title, Genre, Album, Artist, Year and Track Number using Free DB and Zortam tag database. After converting from CD, your new mp3 files are completely tagged including new cover arts and lyrics tag.  3. Integrated Audio Player- Listen your tracks and watch scrolling lyrics and transparent cover art with different visualizations or static jpg image backgrounds while playing your music. Now, switch to full screen graphic mode. You may add your own plugins and backgrounds. After that, use the MP3 tag information to search for duplicate audio files in the library. 4. Manage Playlist Create your playlist. Just drag and drop your tunes to combine files from your Library. Normalize the volume level of your Mp3 file so that every song you play will have the same volume. From the Options menu, select default volume of normalization i.e 89.0 dB. If you want you track to be louder, then change the normalization to a higher decibel value. You may UNDO the normalization. ADDING LYRICS TO AN AUDIO FILE You may manually add lyrics to the audio file or download them from the Zortam database. Lyrics are saved within ID3v2 tag enabling it to be viewed on any device supporting ID3 tags. SHORTCUTS Use Alt+F1 to download the lyrics. To download lyrics and cover arts, use Alt +F3. Use Alt +F4 to download lyrics, cover arts and other Mp3 tags. ADDING COVER ART You can add an image in multiple ways: To download album image using auto tag processing, use the shortcut key [Ctrl+Z]. Do not confuse it with UNDO, a functionality which uses the same keyboard shortcuts in many other mainstream desktop applications. To download album image using album art finder, use the shortcut key [Alt+F2]. To copy an image from other applications and paste it to Edit ID3 Tags within the image window, Click on Edit ID3 Tags - Image Menu and Paste Image. To fetch album art from image files, use the shortcut key [Alt+Z] CREATING A PLAYLIST Select the files you want and drop them into your playlist. Name the playlist. Select the playlist, Right-click and select Manage Playlists to reorder the tracks. You can also use the keyboard shortcut, Ctrl+Alt+M. We had discussed many conversion tools in Zortam like the WAV to MP3 and YouTube to MP3. The latter is used widely today and thus, let us explore this feature. Use the searchbox to find your track. Based on your search, Zortam generates a list of videos from YouTube. Download the tracks you want to convert. Zortam would convert each video to an MP3 audio. If you are a Windows user, the converted Mp3 files will be saved in the My Music\ZortamMp3MediaStudio\Downloads by default. Autotag (F4) these MP3 files or use the option [Write ID3 tags from filename (F5)] to feature ID3 tags from mp3 filename. You may rename your MP3 files and change their location [F6]. Conclusion Zortam recognizes more than 30 million songs. If you are kicked about it’s auto-tagging and metadata managing features, then Zortam is an application that any music lover would find interesting. However, if you just intend to use it as a conversion tool, Loopazon recommends free online applications for the same.

Prism Audio Atlas Multi-Track Recording Interface In addition to professional musicians, songwriters, engineers, and producers, the Prism Atlas is a USB multi-track audio interface that may be used for personal recording and sound creation. It is also suitable for recording studios, post-production facilities, and score stages. At its core, Atlas is a professional music and sound recording tool used for everything from mixing to overdubbing to stem-based mastering to critical listening applications. As a dedicated device, Atlas delivers Prism Sound's acclaimed performance, sound quality, and state-of-the-art clock technology in a format compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO) and Mac OS X 10.4.11 then later (Intel). The Atlas can be programmed to work with a computer, but it may also be used stand-alone by connecting to its ADAT, S/PDIF, or AES3 I/O. In addition to the Orpheus, the Prism Sound Atlas is a 2U multi-channel 24 bit/192kHz USB audio interface that continues the legacy of high-quality audio interfaces that began with the Prism Sound Atlas. Features No-compromise audio quality with Prism Sound technology. A dedicated USB interface is provided. MDIO (Multichannel Digital I/O) extension port (multi-channel digital I/O is a type of digital I/O). CORE AUDIO is directly compatible with Mac OS X 10.4 and higher. Eight premium-quality A/D and DA channels with "Prism Sound" technology Eight high-quality integrated microphone preamplifiers (typ.-130dBu EIN) Each mic preamps has switchable phantom power and 20dB pads. MS Matrix processing applied to microphone inputs There are two instrument inputs. RIAA Equalization on the first and second inputs The use of "Overkillers" on each analog channel of Prism Sound helps control transient overloads. Fully-floating (isolated) balanced architecture for the best noise rejection available. Mono or stereo input combinations are available. The outputs can be switched between the workstation bus and the Atlas mixer. A low-latency digital mixer with "console-quality" performance for foldback monitoring. Every mixer channel has a fader, a pan knob, a cut knob, and a solo knob. Dual headphone outputs, each with its volume control on the front panel Front-panel master volume control and mute may be assigned to individual channels. The Configurable for stereo, 5.1 or 7.1 surround sound, or a combination of the three. Inputs and outputs for S/PDIF have built-in sample rate conversion (SRC). Prism Sound 4-curve SNS noise-shaping digital outputs (available as an option). Modern clock generation is achieved by using a proprietary hybrid 2-stage DPLL. Atlas is a USB multi-track audio interface designed for personal recording and sound production, as well as for professional musicians, songwriters, engineers, and producers, as well as recording studios, post-production facilities, and scoring stages. At its core, Atlas is a professional music and sound recording tool used for everything from mixing to overdubbing to stem-based mastering to critical listening applications. Signal path As a dedicated device, Atlas delivers Prism Sound's acclaimed performance, sound quality, and state-of-the-art clock technology in a format compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO) and Mac OS X 10.4.11 then later (Intel). The Atlas can be programmed to work with a computer, but it may also be used stand-alone by connecting to its ADAT, S/PDIF, or AES3 I/O. Using the audio driver on the host computer, you can connect up to eight analog input channels and up to ten digital input channels to your audio workstation software for recording and mixing. In a similar vein, eight analog output channels, up to ten digital output channels, and stereo headphone outputs can all play up to 20 separate tracks simultaneously. If you want to use the built-in DSP mixer to drive each output pair (1-2, 3-4) or the headphone output with a local mix of any selection of inputs, you can do so through the controller applet. This is useful for low-latency foldback or monitoring to headphones or main outputs. Automatic imbalanced operation is available on all analog inputs, which are electrically balanced. Analog outputs are electronically balanced with 'bootstrapping,' which means the level is maintained even if one of the legs is disconnected. Uncompromising audio quality, courtesy of Prism Sound Atlas does not make any concessions when it comes to audio quality. Years of research and development into digital audio conversion, as well as significant consultation with Prism Sound's clients, have culminated in this product. USB interface that complies with industry standards Prism Sound has recognized the rising importance of native processing power for professional users. The fact that software programmers for conventional PC and Mac platforms have seen significant improvements in recent years has been considered. Atlas is equipped with a USB2 interface. In addition to being supported natively in Mac, iPod, Linux, and Android, this interface is also supported in Windows through a driver. MDIO (Multichannel Digital Input and Output) Atlas and Titan are compatible with Prism Sound's MDIO expansion cards, which enable an alternate "host" connection for the Atlas and Titan. It is typical for the "host" to be a computer. The Atlas or Titan interface establishes a link between the host and the external analog and digital audio I/O ports. It is possible that the host connection would always be used if the MDIO expansion card wasn't installed; however, this is not the case. In addition to the standard host connection, the MDIO expansion slot provides an alternate host connection. It will not necessarily disable the USB port, but in the case of the Pro Tools interface MDIO-PTHDX, the USB port is turned off when the Pro Tools interface is being utilized, and the USB port is not turned off otherwise. For the time being, only the MDIO-PTHDX expansion card is available for purchase. Others may be developed in the future. Inputs and outputs that are adaptable A large number of professional users told us they desired a highly integrated solution with instrument and microphone inputs, line outputs that could be used for stereo or multi-channel monitoring and foldback to performers, and a line output that could be used for stereo or multi-channel monitoring and foldback to performers. As a result, Atlas has a maximum capacity of 18 concurrent input and output channels, as well as stereo headphones, thanks to its eight analog recording channels, eight monitoring outputs, stereo digital input, output on a phono connector, and concurrent optical digital I/O ports that can interface with S/PDIF or ADAT data formats.

Audient Evo 4 2-in/ 2-out Audio Interface The USB audio interface is a very standardized device. For those who aren't familiar, it's the hardware that allows you to connect an XLR or 1/4′′ output microphone or instrument to your computer via a USB connection for recording or streaming. The EVO 4, a contemporary take on the device that includes several smarter tech tweaks to make using one even more accessible, is a relatively new entrant from Audient. There are many choices in USB audio interfaces from a wide range of brands, but a moderately new entrant from Audient is the EVO 4, a modern take on the device that includes some smarter technology tweaks to make using one is easier. EVO 4 is a two-in-two-out audio interface, meaning it can accept input from up to two microphones or instruments and output to speakers, headphones, and your pc. Apart from these combo XLR+1/4′′ connectors on the back, Audient has added a dedicated 1/4′′ input for plugging onto your guitar, making the EVO 4 even more versatile on the input front. This is a fantastic feature for those who wish to use this as an instrument recording method, and it outperforms the majority of its competitors in terms of flexibility. Audient has also made it easy to connect the EVO 4 to your computer using USB-C as the primary connector. This way, it'll most likely work with wires you now have or can easily find, despite where you wish to make use of it. A USB-C connection not only sends audio to pc but also gives the EVO 4 all the power it needs to run, with the 48v phantom power, it needs to operate microphones that require it. As it is USB powered, it is portable, and because of its smaller size it helps, It helps to make the perfect audio interface for developing a lightweight, very packable podcast interview kit. The physical controls are placed on the upper part of the EVO 4. There is a single big volume dial, two XLR input selection buttons, a 48v phantom power toggle, a monitor mix and pan button, and a volume button that applies to both headphones and any attached speakers. There's also a dedicated, giant green button for Smartgain, there is an exclusive Audient function that will improve the EVO 4's expediency. When it comes to the control interfaces on the EVO 4, it's a mixed bag on one. Firstly they help to keep the hardware sleek and clear-cut. Secondly, understand how to adjust input volume levels to control interfaces, you have to switch between different outputs and then try tuning the mix to every bit of a learning curve. It's a more modern take on an audio control surface (many other USB interfaces still rely on specific hardware switches and dials for most of these functions), so it'll take some time to getting used to it for anyone who is used to the traditional method of doing it. Having said that, once you figure out how it functions and which buttons should be pushed in what order, everything becomes rather obvious and easy to remember. Features 2 EVO Mic Preamps Designed to sound clean, precise, and detailed. Converters that are at the top in their class AKM (AD/DA) converters Smart gain Your channels will be automatically dialed in. Instrument Input JFET Connect guitars, basses, keyboards, and other instruments. Outputs from Speakers Connect your speakers. Headphone Output High-quality headphone output Compatible with all platforms Mac, Windows, and ios are all supported. Mixing Monitors When recording, there is very low latency. Pan, the monitor Improve your headphone mixes Loopback Simultaneously record your computer audio. Powered via USB2.0 Bus Your computer's power Mic Presence Controlled by the DAW Using compatible software, set the levels. 96kHz / 24bit Exceptional audio quality Plugins + Free Software The things you need to get started. The high-quality audio The revolutionary technical architecture of the EVO 4 ensures that you obtain professional-quality recordings right away. EVO Preamps (two) Clean, warm, and precise EVO preamps with a 58dB gain range help you get the most out of your microphones. High-capacity converters With 113dB of dynamic range, you can hear your recordings more clearly than before. Input from the instrument Connect your guitar or bass directly to the JFET instrument input and begin recording right away. +48V switchable Individually turn on/off phantom power for each channel to provide your microphones with the energy they require. Software Control From your computer, you may set levels and enable features.*when using compatible software Software that is available for free EVO 4 comes with a professional software suite compatible with all significant audio applications and plugins, which gives you all that you need to start recording. Work from anywhere. Connect EVO 4 to your computer via USB to power it up and start filming on the move whenever inspiration strikes. Design The design is elegant and straightforward. Engineering with a twist. EVO 4 is built to last and looks like at home on your desktop. At an entry-level price, you can get professional results. Don't be fooled by the low price! The EVO 4 is loaded with high-quality components and capabilities that produce excellent audio and performance. You'll get pure, distortion-free sound thanks to class-leading converters, a 24-bit/96kHz sample rate, and a 113dB dynamic range. The mic pre of the EVO 4 is clear, and flattery and the input of the JFET instrument enhance the richness and pleasant sound pleasant sound, all built to Audient's high standards. The EVO 4 offers dual monitor outputs and a front-panel headphone connector, and a USB 2.0 port powers it, so there's no need for a separate power supply. Furthermore, the wide-volume knob is comfortable to use and provides exact control over your monitor mix and output levels. Wise gain is a new feature that automatically adjusts input levels. The Audient EVO 4 has a new Smart gain feature that allows you to quickly and accurately set the gain so you can get back to work without worrying about clipping and distortion. It works straightforwardly. Press the Smartgain button and select the recording channels you want to use. When the Smartgain LED flashes red, it means it's recording. After that, you can start playing an instrument, singing, or speaking into your microphone, and Smartgain will automatically and appropriately set the input level for you automatically and appropriately. Wise gain is a game-changer for new engineers, podcasters, and solo recordists, as it speeds up the recording process and consistently produces excellent results. The loopback feature was created specifically for live streaming. The Audient EVO 4's loopback capability makes it ideal for live broadcasting. The EVO 4 lets you blend your mic or other input signals with the output from your computer, then sends the composite signal back to your computer, whether you're capturing audio during games, recording a Skype call, or providing a podcast. This makes it simple to record your computer's output and your inputting material. Furthermore, the EVO 4 has a built-in loopback mixer with its software. The EVO 4 allows you to take audio playback from your computer, balance its level, and then capture it with your DAW and send it straight to a streaming provider by opening a little mixer window on your computer. With the EVO Control app, you can take control of your session. The EVO Control app is included with the Audient EVO 4 and is compatible with both macOS and Windows. This handy program allows you to make quick and easy changes to the EVO 4's hardware right from your computer. EVO Control is a comprehensive app that will enable you to control and monitor levels, mute microphones, engage Smartgain, and more without touching the audio interface itself. The application's UI is designed to match the EVO 4's elegant appearance, right down to the unit's eye-catching meter ring.

Audient iD44 20in 24out Audio Interface The iD22 was the first in Audient's iD series of desktop USB audio interfaces, which debuted in 2013. In 2014, the iD14 became more compact, and in 2016, the iD4 became even tinier. Audient has now reversed this decreasing strategy with the release of the iD44, a 20-in/24-out, 24 bit/96kHz, USB 2.0 audio interface that runs on both Mac (OS 10.7.5 and later) and Windows (7 and later) PCs with its companion iD Mixer DSP application. The Tough Stuff The iD44 has the same bulky black and silver metal body as its siblings, bespoke aluminum knobs, illuminated pushbuttons, a huge rotary encoder, and a single stereo LED meter horizontally-oriented microswitches. Its four mic/line analog input channels use Neutrik XLR/TRS combo connections. Its two pairs of optical inputs and outputs can be adjusted independently to give extra inputs and outputs in either ADAT or ADAT S/PDIF formats. External digital hardware is synchronized using an oddly hefty BNC word clock output connector. Four of the iD44's eight analog outputs are connected to TRS jacks set up as two L R pairs, 1+2 and 3+4, and are line-level and electronically balanced. The others (5+6 and 7+8) are sent to the front of the unit's two headphone outputs. The Soft Stuff The iD Mixer application features two screens, Mixer and System Panel, that are only for configuring and controlling the iD44's functionality and have no effect on the DAW to which the ID44 is attached as an audio interface. You can set the format of the optical digital inputs and outputs; select the source for the unit's word clock; select the loudspeaker(s) used when the mono sum mode is active; trim the levels of outputs 1+2 and 3+4 when the Dim and Alt(ornate) Speaker modes are operational; set the talkback input (analog input or external source), and assign functions to the three front panel Function buttons. The Main Mix, Alternate Speaker (when active), Cue mixes, and the DAW Thru (eight direct DAW outputs with no volume control) are all routed to the iD44's hardware analog or digital outputs via this Screen. The iD Mixer Screen shows the iD44's three available input blocks: four microphone channels, 16 optical channels, and eight DAW returns (plus an additional two DAW returns that allow you to route an external talkback microphone to the primary and cue mixes). You can also rename channels and build a central monitor mix and up to four different independent cue mixes that can be utilized by external processors using the ID mixer. Although an ID44 analog input channel does not have an EQ, it can be reversed polarity, panned, soloed, or muted, and grouped into a stereo pair. The current signal levels in dBFS are displayed adjacent to the faders on all viewable channels, with 0dBFS equaling +18dBu. The polarity reverse is missing from the DAW returns, but the channel controls and metering are identical. Use The iD44 involves the setup and execution of both hardware and software. You'll need to route the Main Mix, Alt Spkr, Cue, and DAW thru outputs to the desired analog and digital outputs after installing the iD Mixer app, setting up the iD44 as your DAW audio interface, configuring a clock source, and configuring any additional digital inputs and outputs (stereo or mono, ADAT or S/PDIF). If you switch the Main or Alt results from stereo to twin mono, the DAW Thru is automatically routed in their place because the ID mixer assumes they're being used as line-level sends. Trimming the level of the Alt Spkr output to match the Main Mix, adjusting the Dim monitor level, and optimizing the F1-F3 critical assignment so that they influence Alt Spkr switching, main mix mono summing, and single side polarity reversal are all additional software setup tasks for the iD44's hardware. Finally, you select a talkback source, create your first Main and Cue monitor mixes, and get started. The iD low-latency DSP mixer software transforms the iD44 into a user-friendly and powerful mixer/controller that makes putting together your primary monitor and cue mixes a breeze. You can also save your monitor mixes/setups to your computer to use as starting templates or recall later in the project. You may also keep a complete setup as a Standalone State, which saves the current configuration in the iD44, allowing you to use a pre-programmed monitor/cue mix setup without needing to connect to a computer. Features: Desktop interface with 20-in and 24-out ports 4 Audient console mic preamps with a gain of 60dB State-of-the-art 24-bit/96kHz AD/DA converters Digital expansion with two ADAT inputs and outputs 2 JFET instrument inputs that are discrete Two perfectly balanced inserts Two stereo headphone outputs, each with its volume control Speaker outputs (primary and alternate) ScrollControl Three function keys that the user can customize Separate controls for talkback, dimming, and cutting DSP mixer with low latency The output of the word clock USB 2.0 compatibility All-metal chassis for durability Conversion with high efficiency The iD44's high-performance AD/DA converter technology is designed to provide an enhanced dynamic range for accurate and natural recording reproduction. Because of the converters' exceptional clarity, you can hear subtle detail and make better mix selections, resulting in better-sounding recordings. Two harmonically improved JFET DI inputs are also included on the iD44, aiming to re-create the input stage of a vintage tube amplifier. Connect your bass guitar or synthesizer, hit Record, and listen to the magic unfold. It's all about connectivity these days. The iD44 has two optical ports each for input and output, making room for a wide range of expansion possibilities. The iD44 adds up to 16 channels of mic pres to your rig, supporting both ADAT and S/PDIF, making it excellent for more extensive sessions or tracking a band. Two completely balanced insert points make it simple to integrate your outboard gear before conversion, allowing you to plug antique mic pres, compressors, and EQs rapidly. The insert returns also provide you direct access to the A/D converters for the cleanest signal path imaginable, which is ideal for print-backs or integrating line-level analog sources. Whether you're processing stems or putting together a vocal chain, iD44 has you covered.  Monitor control in the console-style The iD44 provides exceptionally versatile monitor control functionality, including dedicated talkback, cut, and dim buttons, as well as polarity, mono, speaker selection, and cue mix monitoring, all inspired by Audient's significant analog console design experience. All monitoring functions can be assigned to three programmable function buttons, eliminating the need to dig through menus for incomprehensible software-controlled capabilities! Assign the necessary monitoring functions and take command of your session. Sweetwater's engineers adore Audient's console-style approach to hardware control, and you will work as well There are up to four stereo artist cue mixes available. The iD Mixer software from iD44 allows you to build up to four stereo artist cue mixes, name and customize channels, save layout presets, assign hardware function buttons, quickly set up complicated routing, use presets in standalone mode, and more. The iD Mixer software is closely and tastefully connected with the iD44 hardware, allowing you complete control over the recording process. The "center-section" functionality is extremely powerful. The iD44 is smartly intended to imitate the tremendous capabilities of a console's center portion for communications and monitoring control. Dedicated talkback technology on the iD44 allows you to use any audio source connected to your computer as your talkback mic, freeing up valuable mic pres while providing a reliable talkback solution no matter where you are. With the press of a button, the iD44's volume encoder transforms into a virtual scroll wheel, allowing you to manage your DAW, plug-ins, and more as if you were adjusting hardware. Without staring at a screen, quickly dial in settings, tune faders, or even write in automation. All-metal chassis that can withstand the elements on the road The Audient iD44 is precision-engineered to give you years of reliable performance in the studio and on the road, from its high-grade components to its all-metal structure and hand-finished aluminum knobs. The iD44 comes with a conventional USB cable and a USB Type-C cable, connecting it to any USB-compatible Mac or PC that supports USB 2.0 or higher.

Audient iD 4 2in 2out Audio Interface The Audient iD4 (MKII) is designed to take your recordings to the next level in every area of audio interfaces. It provides professional audio performance in a compact and modern desktop package, allowing you to create studio-quality recordings at home with everything you need. In every iD interface, you'll find the Audient Console Mic Preamp, based on the same discrete circuit design as our acclaimed recording console, the ASP8024-HE. It is a high-quality hybrid discrete and operational amplifier design that provides a clean, accurate, and thorough translation of your source while maintaining a noise floor that is 30,000 times lower than the signal level. Each nuance and detail of the audio is captured by the converters in iD4, which allows you to hear your mix with more precision. To ensure that your microphones receive the power they require for the most outstanding acoustic performance, the iD4 is intended to transfer true phantom power through USB. There is no need to search for a plug as the iD4 can be powered directly from your computer via USB without losing sound quality or performance in the process. Audio interface manufacturer Audient has introduced the iD4 USB computer audio interface, the smallest and most fundamental of the company's iD range of USB computer audio interfaces. With the physical element of the iD4 reduced, the result is a robust and compact unit with a distinct air of quality about it that is in keeping with the needs of its intended user — the solo artist who records at home or on the move to an ios tablet or phone and Mac or Windows P.C. Dual independent inputs are available on the iD4: one mic/line on a hybrid XLR/jack connector, as well as an instrument DI with its gain control. A wide variety of uses are possible. In addition to a pair of TRS jack speaker outputs, the rest of the I/O includes a quarter-inch TRS jack headphone output. USB, quarter-inch audio outputs, and phantom power switch are just some of the ports included on the back panel of the IDS4. One knob blends Input signals with the DAW return, while two push buttons that light up when activated, a volume encoder that integrates a latching switch, and twin five-LED curved ladder meters take care of the rest of the front-panel responsibilities. The iD4 can be connected to any computer device with a USB port if you're using a Mac running OS 10.7.5 (Lion) or higher. For ios smartphones, you'll need to be running ios 6 or higher, a Camera Connection Kit, and a USB 2 powered hub, which may make mobile recording more challenging. Even though the iD4 is class-compliant with Mac OS, if you're using Windows 7 or later, you'll need to download and install the iD drivers first, during the driver installation procedure, the iD4 software, which allows you to customize the sampling rate, buffer size, and latency of the iD4, is also installed. As a PDF download, the complete guide contains all you need to know about configuring the iD4 with various operating systems and integrating it with DAW software, including specific instructions for Logic Pro, Ableton Live, and Pro Tools. The handbook is available for purchase here. Features USB Audio Interface with 2 inputs and 2 outputs Highly Efficient Converting Units (HECUs) one preamplifier for the Audient Console Mic (Class-A) 1 Instrument Input for the JFET (Discrete) Modus Operandi iD ScrollControl Modus Operandi iD ScrollControl Modus Operandi iD ScrollControl iD ScrollControl is a control that allows you to scroll through a list of items. The device is powered via the USB2.0 bus. 24 bits at 96 kHz The main speaker's output is displayed. Using Zero Latency Monitoring, you can watch your mix and pan. Headphone amplifier with independent Class-AB outputs and two outputs. The enclosure is entirely comprised of metal. Compatible with Microsoft Windows, Apple Mac OS X, and Apple iOS With ARC, you may obtain plugins and programmers worth more than £500. The presence of an Audient Console Microphone You've worked hard to obtain a professional sound. The only brand uses the same Class-A mic pre-design throughout its product line, so whether you're in the studio with an Audient console or on the road with an iD4, you'll always receive the iconic Audient sound. Pristine Converters are made possible by technological advances. The brilliance on the inside makes it possible for the polish to shine on the outside. iD4 offers high-performance AD-DA converters in a variety of configurations. It takes years of experience to create high-quality analog consoles. When that expertise is combined with excellent converter technology, you can hear how it was designed to be heard. Converters are incredibly vital and should never be underestimated or taken for granted. An auditory experience like no other is provided by audience-generated audio.  ScrollControl The scrolling wheel on the screen is a virtual one. A single button press changes the volume encoder in iD4 into a virtual scroll wheel, which allows you to tweak DAW hosts plugin parameters, and even scroll through your iTunes library, just like you would with a physical scroll wheel. This knob may scroll to control the location where your mouse pointer is currently hovering. When you aren't using ScrollControl, hitting the volume encoder on the iD4 activates DIM, allowing you to quickly reduce the playback volume when you aren't using ScrollControl.  It's as simple as plugging in and playing. Connect your device and let yourself be inspired. The iD4's D.I. input, a JFET, has much harmonic content. Because it is meant to simulate the input stage of a typical valve amplifier, you can plug in your guitar, bass, piano, or drum machine and start recording straight away without any additional equipment. Start with professional-grade recordings to elevate the quality of your track to the next level. Headphones with two different audio outputs Writing, cooperating, and creating stuff is some of my favorite things to do. The iD4 lets you work with your friends and other musicians on a similar project with its dual headphone output. 2 pairs of headphones can be plugged into the iD4, making it an ideal tool for jamming with your friends and capturing inspiration as it happens, whether you're recording a guitar and vocals or simply listening to music together. With the dual headphone output, which includes both a jack and a small jack output, there's no need to lug a bulky headphone converter around with you all the time. Compatible with the iOS Record a voice memo or a video message using your iPhone or iPod. The fact that iD4 is compatible with ios means that filming on the fly is now easier than ever. Once you figure out how simple it is to set up an iD4 on an ios smartphone. A Camera Adapter Kit, as well as a powered USB hub, is all you'll need to get started recording virtually anyplace. Designed to last for a long time It is vital to keep up high standards of quality. The iD4's all-metal construction, hand-finished aluminum knobs, and high-quality component selections ensure that it will endure multiple late-night studio sessions and days on the road with ease.